REVIEW OF DESPERATE FIRST LADIES in DURBAN — JANUARY 2012
Pieter-Dirk Uys still in top form
– Caroline Smart, artSMart, 27 January 2012
Having already performed an extra show in the afternoon, put on at the last minute
to cope with the demand for tickets, Pieter-Dirk Uys proved last night in Desperate
First Ladies that his stamina is unfaltering and he’s still in top form.
Appearing in at least ten roles, he never leaves the stage. Chatting amiably while
donning makeup where appropriate as well as wigs, hats and glasses, he pulls costumes
from an array of beer crates to create the finished look. I was most envious of Nowell
Fine’s deep-fringed shawl.
In reference to the show’s title, Uys first appears as a camp dress designer advising
his various associates which outfits best suit each of President Zuma’s three wives.
Then as himself, he reminds audience of his gratitude to politicians, “black and
white, right and wrong” for having given him a career for the last 38 years. “I don’t
pay taxes, I pay royalties,” he quips as he invites audiences to join him in his
journey of what makes his “bread and Botha”.
We meet two old favourites, Mrs Petersen, a woman from the Cape Flats, and Nowell
Fine who has just been to a school reunion in Canada where most of her former classmates
now live. These characters offer frank and often poignant perspectives from a Muslim
and a Jewish viewpoint. Nowell (“Wake me when it’s OVER!”) Fine is firmly committed
to South Africa: “I’d rather be murdered in my own bed than get up and make it myself,”
she stoutly maintains.
Winnie Mandela comes in for much comment as “the mugger of the nation” and Uys confesses
that he was sending her up at a major ANC function only to discover that she was
sitting right in front of him! Then there’s a chilling reminder of the grasping nature
of Grace Mugabe in a parody of “Old MacDonald Has a Farm” as “Grace Mugabe Wants
Then it’s time for Bambi Kellerman, Evita’s estranged sister, who became “one of
Europe’s grand horizontals”. In a passionate call for safe sex, she explains the
importance of practising how to use a condom and its feminine counterpart so that
mistakes can’t happen. Then comes Mother Theresa complete with butterfly wings, talking
on a cellphone from heaven. Amongst the fun and nonsense, her message is to live
life to the fullest.
The voice of Archbishop Desmond Tutu introduces the legendary Evita Bezuidenhout,
looking elegant as always, in a stylish purple coat with a high collar. She introduces
us to the baby boy she has now adopted. It’s … Julius Malema!
Uys is fearless, often biting, and invariably hilarious. He turns edutainment into
an adult art form. He poses the question that if the Media Protection Bill is passed,
would he then not be allowed to continue with his shows on the basis that he’s disclosing
state secrets? He is passionate about his country and will do whatever he can to
keep its people from all walks of life in a positive frame of mind. As gales of laughter
greet many of the jibes he makes at political ignorance and social stupidity, he
shrugs: “You couldn’t make it up!”
Pieter-Dirk Uys won no less three awards in 2010 — a Teddy Award at the Berlin International
Film Festival, a Naledi Lifetime Achievement Award for his creation Evita, and a
Fleur du Cap Award for Best Cabaret starring Bambi Kellermann.
Pieter-Dirk Uys’ will bring his new show Adapt or Fly to the Elizabeth Sneddon Theatre
in March. Book now to avoid disappointment!