Reviews of
50 Shades of Bambi
(full texts of reviews are found in the Archives)
Reviews of 50 Shades of Bambi in Johannesburg — February/March 2014
Spending time with Bambi is definitely time well spent.
– Jennifer de Klerk, Saturday Star, 8 March 2014
50 Shades of Bambi is a bittersweet fictional musical memoir of one of Uys’s alter egos, former stripper Bambi Kellermann, which also pokes fun at verkrampte attitudes to sex and sexuality. Cocking a snook at such poppycock, Bambi/Uys cheekily gives traditional volksliedjies such as Hier’s Ek Weer and Hoe Ry die Boere Sit-
– Christina Kennedy, Business Day, 6 March 2014
**** Bambi gets down low and dirty, speaks her mind to show how it’s done and says with pride that she’s experienced everything — twice. But Bambi is no ordinary tannie. She constantly catches you off guard with her sharp wit which turns a mild-
– Diane de Beer, Tonight, 4 March 2014
Satirist Pieter-
– Peter Feldman, Artslink, 27 February 2014
50 Shades of Bambi is recommended for anyone who believes in freedom of expression and the right to choose what is best for them. Pieter-
Gugu Zwane, Sandton Chronicle, 28 February 2014
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Reviews of 50 Shades of Bambi in Cape Town — August 2013
50 Shades of Bambi will give you pause for thought as well as hearty laughs. Uys is at the top of his satirical game.
– Tracey Saunders, Cape Times, 15 August 2013
In his latest production, 50 Shades of Bambi, Pieter-
– Marilu Snyders, What’s On In Cape Town, 12 August 2013
50 SHADES OF BAMBI is a reflection of a life well lived as the forthright Bambi looks back on her life as well as at some of our current social and political trends in her own special way. As Bambi, Uys tempers the character's crude sarcasm with a personable and intimate relationship with the audience. Although the audience can all see Uys's eyes twinkling behind his adopted persona, Bambi comes across as a real person, fully-
– David Fick, broadwayworld.com, 12 August 2013
*** Uys artlessly mixes political satire and [Bambi’s] personal anecdotes as he navigates an evening that demands vocal performance as well a theatrical versatility.
– Beverley Brommert, Tonight, 13 August 2013
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